![]() ![]() “Our legion fans have demanded it for years, and now we’re finally ready to honor their call to action with Riddick: Furya,” Twhoy said. ![]() And some of these Furyans are more like Riddick than he could have ever imagined. In the new film, Riddick finally returns to his home world, a place he barely remembers and one he fears might be left in ruins by the Necromongers.īut there he finds other Furyans fighting for their existence against a new enemy. Diesel will star and produce under his One Race Films banner alongside Samantha Vincent, who will also produce. And it looks like the new sequel is finally taking shape, with Deadline reporting tonight that Riddick: Furyais now official!ĭavid Twohy is back to direct, and he also wrote the script. Vin Diesel has been hungry to bring back the Riddickfranchise for several years, frequently taking to Instagram to provide updates on the next project. Comments Fessenden, “Yes, I’m competing with Marvel and Blumhouse to create my own Monsterverse, but at a very different price-point.” Fessenden’s 1997 film Habit is a vampire film of some distinction due to its gritty 90’s New York atmosphere and naturalistic treatment of the genre. Makeup and special effects were handled by long-time Glass Eye Pix collaborators Brian Spears and Peter Gerner, who previously created the Frankenstein monster for Fessenden’s 2019 film Depraved. Fessenden explains, “My approach was to blend a naturalistic docu-style with the mythological tropes of the werewolf story, an ongoing interest to blend realism with stylization, and to fuse themes of contemporary society with classic monster movie clichés.” Many local merchants generously supported the independent production. Paintings for the main character’s artwork were created for the film by Brooklyn-based artist John Mitchell.īlackout was shot at local shops and locations in New York’s Hudson Valley and serves as a portrait of the area including Woodstock, Olivebridge, Andes, and Kingston. Collin Braizie was cinematographer, following his previous stint on the Glass Eye Pix production Foxhole. The film was produced by Fessenden, James Felix McKenney, and Chris Ingvordsen, and Co-Produced by Gaby Leyner. The film features a cast including Addison Timlin ( Little Sister, Like Me, Depraved), Motell Gyn Foster ( Marriage Story, Foxhole), Joseph Castillo-Midyett ( Equalizer, Death Saved My Life), Ella Rae Peck (upcoming Crumb Catcher), Rigo Garay ( Crumb Catcher), John Speredakos ( Wendigo, I Sell The Dead), Michael Buscemi ( Habit, BlacKkKlansman), Jeremy Holm ( The Ranger, Brooklyn 45), Joe Swanberg ( You’re Next, Offseason), Barbara Crampton ( You’re Next, Jakob’s Wife), James Le Gros ( Foxhole, The Last Winter), and Marshall Bell ( Total Recall, Stand By Me). The picture, which stars Alex Hurt as Charley Barrett, a Fine Arts painter convinced that he is a werewolf wreaking havoc on a small American town under the full moon, wrapped under the glow of October 8th’s Hunter Moon, with pickups completed October 16. Independent production shingle Glass Eye Pix has announced that director Larry Fessenden ( Wendigo, The Last Winter, Depraved) has completed principal photography on his seventh feature film, Blackout. ![]()
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